Honey sandwiches at dawnbreak

And then it was the end, and suddenly there was a heck of a lot of free time. (Let's not mention A2 courses, personal statements, uni decisions, prefect duties or other thingamajigs, eh?) Today was, as I always knew it would be, epic. There was me waking up at four in the morning because I'd gone to bed at nine the night before, and a few honey-sandwiches-at-dawnbreak (washed down with milk). There was a gloomy bus ride to the hospital a few hours later, during which I felt more and more ill and nervous, couldn't stop reciting Ovid's Amores 1.2 over and over in my head, and listened to two old women behind me talking about their hair.

There was the hospital appointment. I now have orthotics, which are, for a start, not as big as I thought they would be (I was dreading some kind of massive brick-like monstrosities that would only fit in the biggest of trainers or something like that, but they're pretty small really) - they're also quite comfy, like having cushions in your shoes. And I am now just a teensy bit taller because of them. So.

Then there was the bus ride home again, and I started making up a poem in my head - I swear, about 75% of my ideas for poems come to me on the bus, which is why no matter how much they suck, no matter how many times I end up on some crowded bus listening to a crazy woman singing Amazing Grace (this has happened) I will never stop taking the bus.

At home I started feeling ill. Steamed my face. Three times. Drank tea. Went on the internet. Tried not to think about a) Ovid, b) Cicero, c) any kind of Latin vocab/grammar. Didn't work. Read the OCR Mark Scheme for Latin AS-level. Suddenly wanted to cry.

And then all of a sudden it was 1:30pm and I was standing in the lobby, having one of those completely mindless small-talk conversations with Amy who was about to do her economics exam, and I was clutching some paracetamol thinking, "Should I take them? Should I? Am I being silly? Should I?" And I went up to Mr P who was the invigilator and said in a very tiny voice, "I don't feel very well" but he was running around with some woman in a red skirt so I don't think he quite heard me.

Then there was Hannah, who came up to me, wailed, "I don't know ANY CICERO AT ALL! I'm going to FAIL!" and ran off. I stood there, alone, and there were about 10000 year 11s who were about to do their history GCSE, and I thought, "Oh, those were the days - history GCSE, which I thought I'd failed and then it turned out I'd got an A* - God GCSEs were really not that bad...mind you if I told them that they'd probably crucify me...OHMYGOD I want to be sick."

Mr L (Latin teacher 1) came by and was all like, "Alright?" but I didn't really answer him because his face was sort of swimming in front of my eyes. THEN - HE came along. Thingy. Whatsisface. And I hadn't seen him since that night, and while there was a part of me that was kind of hoping to never have to talk to him ever again, there was also another part that was hoping that when we did get round to talking, there would be some kind of...difference. Like, some kind of acknowledgement, at least, of what had happened. But no. It was the biggest nothing of a conversation. It was all him saying, "What have you got?"

And me saying, "Latin."

And him saying, "Oh right. You OK?"

And me saying, "No actually, I'm a bit ill." And waving my paracetamol in an overly-cheery sort of way (why do I do that? why do I always act happier than I am?) and saying, "Immune system's decided to give up on me."

And him nodding. And then Boris came along and wanted to talk to me about the barbecue he's having at his house on Sunday, and so that was it. And I realised that yes, that really was it, we were just going to carry on as normal. Like, good-friends-who-just-quietly-resent-each-other. Yep, sounds like a plan.

Boris left, and I got very sad and sickly, and then Chadders (Latin teacher 2) appeared, and I must have looked like death in human form because he was very kind and reassuring and just generally wonderful. I felt better then, and he went off down the corridor on a cloud of godlike superior Latin knowledge.

And the description of the build-up to the exam has been longer than I was planning it to be. We went in. I forgot how to spell my surname for five seconds; that was a scary moment. Then we began (there were SO many people in the room - all the history year 11s, plus me and Hannah doing Latin, plus economics, plus drama, plus Alec who does Japanese - it was really claustrophobic) and my ill feeling cleared and just over three hours later it was all over. I don't want to jinx anything, so I won't say that, you know, it went well or anything, but...Well, the commentary paper was on two pretty easy-peasy bits (in the pro Milone, the bit where Cicero pretends Milo is waving his bloody sword and going, "Through me alone may justice, equality, laws, liberty, modesty, chastity remain IN THIS CITY!" Love that bit. And the Ovid was 1.7, the one where he hits her and pretends to grovel - SO much to say about that, and SO glad it wasn't smelly old 1.3). And then the essay paper...well, this year is the first year to do Ovid, so the Ovid question that came up was just the most simple, the most obvious, the most BEAUTIFUL question. There was actually so much to say that my essay ended up being a bit kitchen-sink-esque, but hopefully not in a rambly way. By the time the translation paper got handed out I was tired as hell, and the story was a bit doom-and-gloom, as usual (something adapted from Tacitus - the death of Otho, a real tearjerker), so at first I was a bit sluggish and confused, and then I got a grip and I think that was fine too.

And then. That. Was. It.

My other exams have generally been...OK. English seems like another age ago now, but I remember generally feeling a bit smug and pleased with myself afterwards (which didn't last long because I then went and made a tit of myself in the evening...) History was the worst, what with the suffrage paper asking crap questions about trade unions and then my art-and-culture essay on Russia being full of Mayakovsky and without any mention of Lenin - at all. I mean, Mayakovsky is slightly more relevant to art than Lenin, but still, Lenin is Lenin. Russian was Russian. I did it, but there were probably mistakes I didn't see.

But now I'm free, free, free, free. I can probably write poems again! (I'm sure the recent block has been exam-related.) And also, the latest issue of The Rialto came in the post today and it's full of good stuff. There's an essay on Auden, and some stuff about Fleur Adcock, and generally loads of good poems including this one by Julia Casterton, who actually died in March and so is given a special mention in the issue.

CONSIDER THE LILIES by Julia Casterton

I've been considering these lilies since they came out,
probably planted by my neighbour when she got bored with them in the pot,
staked up by John in two clumps beneath the pollarded trees.

As is usual with lilies, they're acting as if they own the place.
I water them every night my cooled-off bathwater.
Unlike the roses, they show absolutely no gratitude.

The hibiscus looks desperate for water, and drinks greedily,
but these lilies can take it or leave it alone. I am the supplicant,
pardon me for breathing. They breathe their cool whiteness over the whole garden,

calming it all down, easing the panic of the drought.
I go out to look at them shining in the night, taking it easy.
They boss the place. They never heard of Solomon or his glory.